• Inside Entertainment,  Media Rants

    Embracing the Mess

    An interesting criticism of Star Wars: The Rise of Skywalker (2019) is that it’s ‘fan service’. I wasn’t aware that fans desired plot holes, shallow characterisations, contrived narrative, an incomprehensible edit, and the return of a villain long dead. They were never on my wish list. I don’t think they were on anybody’s. The Rise of Skywalker isn’t fan service. It’s damage control. It’s Disney backtracking from what they’ve given us and trying to find the Star Wars in their Star Wars. And they accomplish that in the tiniest and briefest ways. The Rise of Skywalker puts the trio of main characters in an adventure together. It gives Rey an…

  • Inside Entertainment,  Old vs New

    The Return of the Jedi vs The Rise of Skywalker

    The final movie in the Original Trilogy, Return of the Jedi (1983), is an unbalanced film. Harrison Ford had wanted George Lucas to kill off Han Solo; Ford thought that Solo no longer served a purpose in the story. He’s right. But nor did Princess Leia (Carrie Fisher), Chewbacca (Peter Mayhew), C3PO (Anthony Daniels), R2D2 (Kenny Baker), Lando Calrissian (Billy Dee Williams), and everybody other than Luke. Once Han is rescued, a plot is invented to keep the ensemble busy – taking down the shield generator so an assault can be launched on the new Death Star. Along the way, we meet some teddy bears who teach us about the…