Following the feedback from Bernadette Foley, I read through Just Another Week in Suburbia and identified three key scenes that were issues, and which would need alternatives to help domesticate the story. There were other smaller things things throughout, obviously, and also general revisions that would round out the story. Being at this stage is different to any other feeling you have when you write. When you begin something, it’s a blank document. You fill it. When you revise, you shape what’s there, like your first draft is a big lump of clay, and every revision brings you closer to what you’re trying to create. But revising while writing in…