• One Terrific Lie

    36,408

    When I work on a book, I’ll also work on something else simultaneously. It won’t be another new book – it’s hard enough keeping track of all the characters, threads, and ideas for one prospective novel, let alone two. I’m always surprised when people say they’re working on two (or more) novels simultaneously. (I don’t count swapping back and forth between projects but never finishing anything.) The closest I’ll get to working on more than one novel is if I also revise another, but only as long as it’s more so a copyedit revision, rather than a structural edit revision that might require some rewriting. As far as the copyedit…

  • One Terrific Lie

    33,016

    Films, television series, and books ultimately come down to the same thing: the written story. Something that is beginning to annoy me in storytelling – particularly in film and television – is the use of flashbacks. To the best of my knowledge, JJ Abrams’ television series Lost popularised the use of flashbacks to introduce backstory. Lost has an ensemble cast of characters. In the two seasons I watched (before the constant baiting and switching turned me off), each episode would focus on somebody different. Throughout that episode, we’d get flashbacks about the character’s life before they got on the island. A younger, much-less cynical version of me enjoyed this –…