• Inside Entertainment,  Media Rants

    Shallow Foundations

     Note: Although this blog references The Rise of Skywalker, at this point I still haven’t seen it. When you sit down to write a story, you create characters who’ll serve that story. They each have a unique function. Once that function is complete, the character is done. They exit the story. James Bond movies illustrate how characters function in self-contained stories. Bond’s boss, M, briefs Bond about his mission. Q will provide Bond with weapons and gadgets. Once M and Q have fulfilled their roles, their jobs are complete. In a few Bonds, M and Q might reappear, but usually never with any great depth, necessity, or regularity. There’ll be…

  • Inside Entertainment,  Old vs New

    The Return of the Jedi vs The Rise of Skywalker

    The final movie in the Original Trilogy, Return of the Jedi (1983), is an unbalanced film. Harrison Ford had wanted George Lucas to kill off Han Solo; Ford thought that Solo no longer served a purpose in the story. He’s right. But nor did Princess Leia (Carrie Fisher), Chewbacca (Peter Mayhew), C3PO (Anthony Daniels), R2D2 (Kenny Baker), Lando Calrissian (Billy Dee Williams), and everybody other than Luke. Once Han is rescued, a plot is invented to keep the ensemble busy – taking down the shield generator so an assault can be launched on the new Death Star. Along the way, we meet some teddy bears who teach us about the…