Shallow Foundations
Note: Although this blog references The Rise of Skywalker, at this point I still haven’t seen it. When you sit down to write a story, you create characters who’ll serve that story. They each have a unique function. Once that function is complete, the character is done. They exit the story. James Bond movies illustrate how characters function in self-contained stories. Bond’s boss, M, briefs Bond about his mission. Q will provide Bond with weapons and gadgets. Once M and Q have fulfilled their roles, their jobs are complete. In a few Bonds, M and Q might reappear, but usually never with any great depth, necessity, or regularity. There’ll be…
Relating to Characters: Part I
The premiere of The Rise of Skywalker (2019) nears. Scuttlebutt around plot leaks are discouraging. One of the scariest is that test audiences laughed at how easily Rey disposed of the Emperor. Sigh. Even if that’s not true, or it is true but has been corrected, I’m not expecting much. Disney’s Star Wars movies have featured an array of unrelatable one-dimensional characters. They have no depth and take no real journey (unless, like Rey, it’s to discover who they are). They’re flash and style with little substance. Just because these characters belong to an extraordinary sci-fantasy premise doesn’t mean they have to be unrelatable. You can create relatability in characters…