Picard’s Big 3 Issues
Credit to Star Trek: Picard (2020 – ). I went in expecting nothing. They’ve delivered less. This is such badly constructed storytelling – objectively bad storytelling – that it’s hard to believe anybody could think it’s good. There is no way anybody should be taught to tell story this way, should perpetuate telling story this way, or think this way is good storytelling. There are issues that range deeper than Star Trek: Picard‘s premise, characters, or plotting – issues that run rampant in the methodology of how the writers here have decided to tell the story (and how they tell it in Star Trek: Discovery [2017 – ], as well as…
To Bleak or Not To Bleak
The original Lost in Space series (1965 – 1968) began as serious science fiction, before descending into campy humour and outlandish storylines. But it worked because it found its voice, and has since become a cult classic. The rebooted Lost in Space (2018 – ) has not only gone the serious route, but has also become gritty, bleak, and largely joyless. It’s a motif a lot of contemporary movies and series use. Arguably, the template for this began with Christopher Nolan’s Batman Begins (2005), and was popularised with the follow-up, The Dark Knight (2008). Then just about everybody decided this was the way to go, as if it was a…